Description: ACRYC ON CANVAS LORENA PREMOLI ' VENERE ' size L 30 x H 30 cm.
Acrylic on canvas - Title " Venere " by Lorena Premoli .
Year 2019 - Size L 30 x H 30 cm.
Unique piece - Certificate of authenticity.
Venus, the goddess of beauty, love, fruitfulness.
A tribute to sensuality and the spiritual and material elevation of femininity.
The earrings and the shades of color recall some symbols of Venus: the circle and the turquoise.
A symbol of love, passion, harmony, affection, creativity, inspiration, imagination and union of opposites contrasts with the story of Saartjie Baartman (Black Venus), a young South African from Cape Town that the man with whom she worked decided to bring with him in Europe to make it the attraction of human fairs and zoos.
Her mutilated and dissected body was the evidence exhibited by scientists from the Royal Academy of Medicine in Paris to demonstrate the inferiority of the "races with the crushed skull".
A scream for discrimination, violence made by glances and the heavy chains that they can impose.
In a moment where women and the diversity are increasingly targeted, the "Black Venus" represents a symbol of what we must safeguard in order not to fall back into the mistakes of the past, a reflection on collective responsibility that, hidden behind the group, gives credit to speeches for which we are individually responsible.
An enterprising contemporary artist, was born, lives and works in Milan.
He worked mainly
in Hewlett-Packard Enterprise for several years covering various roles, from
Marketing to Finance, up to holding the role of CFO for the Hewlett-Packard
Enterprise group in Italy.
activity has always remained in every moment of stasis from the work functions,
like a magmatic subsoil that resurfaced through spaces of time. Therefore, she
has always turned her attention and dedication to activity and creative energy,
turning to a constant search for a singular experimentation.
Of a strictly
eclectic nature and personality, curiosity and intuition have always led her to
develop different artistic techniques, to build furnishings and create
paintings starting from the use of recycled elements and to use alternative
materials in abstract painting.
operations over the years stimulate her creativity more and more, until the
artist realizes a substantial change in her steeped in art life, so that, after
an important professional career, she decided that the time had come to arrive
at the infinite and ever-changing space of art and everything that could allow
to satisfy her expectations, where it is possible to express the freedom of
interpretation that only an abstract painting can offer.
a new life by painting artworks "Made to Measure", where it is
possible to observe how the artist is influenced by the harmonic construction
of the painting in perfect proportion and osmosis with the environment in which
it is inserted but, above all, the relevant aesthetic pleasure of suggesting
inside the painting some notes, visible and not visible at the same time, of
innate character aspects of the one who receives the work, thus making it, as
well as unique, even strictly personal, an art that has become vital.
Dream in the Drawer» Personal Exhibition 2020 – HQ Hewlett Packard Enterprise
Cernusco S/N (MI) – postponed to a date to be defined
Wings of Creativity» Personal Exhibition 2020 – Sede PwC – Citylife Milano – postponed
to a date to be defined
of Contemporary Art - De Agostini 2020
of Modern Art - Mondadori 2020
Art Selection - Artitalia 2020
‘21 – International Yearbook of Contemporary Art - 2021
of Contemporary Art - De Agostini 2021
of Modern Art - Mondadori 2021
of Magazine “Privacy&” 2019 e 2021 – Egea e PwC TLS Avvocati e
«Vittorio Sgarbi Award» 2021
Atlas of Contemporary Art
De Agostini - 2020 Edition
although very influenced by futurist ideas, is the author of a variegated and
multifaceted production, making use of the combination of different materials
and also experimenting with assemblies of recycled and waste products. Often her
creations respond to a precise symbolic intent as happens in fact for Rosso,
where a floral composition played on the variations of red is the true subject
of the painting. The choice of this color clearly owes a lot to its connection
with blood, shed on occasions of wars and manifestations of violence. The
flowers come to life not thanks to a mimetic representation, but to a bundling
of circles alluding to the various stages of a child's life. Her symbolic
creation, which requires concentration in order to be understood, becomes the
bearer of universal messages.
The curator Rosi
Raneri describes Lorena Premoli's production with these words: In her works she
embeds emotions, encloses an extreme beauty of synthesis. It is a music of
colors that suggest visual perceptions, where the shapes seem to dance in
harmony on the canvas. An oxymoron, a "chaos" that instead reveals
something else, is transformed into harmony, with a trait that is sometimes
strong and sometimes softer but somewhat and always involving. A becoming that
takes place within a chromatic scale of forms and very essential features.
that recall existence, perceptive ideas consolidated through lines,
evanescences and transparencies where white constructs. "
Triennial Exhibition of Visual Arts in Rome
- Palazzo Borghese
exhibited work by Lorena Premoli looks like a cracked surface, characterized by
the heterogeneity of the materials used. The scene, divided into three
horizontal sections of material pigments, is admirable in representing the
abstraction of a beach, represented through the use of sand, stucco and resins.
A great experimenter, in her production she ranges from oil tempera to
acrylics, from plaster to wood, up to glass and iron. Each composition is
characterized by a happy and laughing "artistic breath" that
enhances, through the palette, a positive and optimistic vision of values and
creation. From the paintings to the installations, the artist tells about
herself in a familiar language where art is a wonder for the world ".